Laser projection from Sony, JVC, Epson and Barco, matched to the screen, room and seating, then calibrated and serviced.
Get started.
Share a few project details and the Regent5 team will follow up on goals, scope and next steps.
Prefer to talk? Call
(650) 242-5745
Regent5 compares projector platforms from the actual cinema: screen dimensions, throw, room light, desired brightness, contrast, HDR, lens requirements, acoustics, power, thermal conditions, signal path, automation, and serviceability.
Native 4K SXRD laser projectors spanning purpose-designed private cinemas with different screen-size and brightness requirements.
High-output native 4K SXRD laser projector for specialized large-screen cinema and visualization rooms requiring dedicated infrastructure.
Compact native 4K D-ILA laser models for dedicated theaters, rated by JVC at approximately 2,000 and 2,300 lumens respectively.
Higher-output D-ILA laser projectors with strong native contrast and JVC's Gen2 8K/e-shiftX platform for dedicated cinema applications.
4K HDR 3LCD laser home-cinema projector rated at 3,300 lumens with current Epson QZX processing and support for modern high-frame-rate sources.
High-lumen 4K HDR laser platform rated at 6,000 lumens with interchangeable lenses for large screens and challenging projection geometry.
Very-high-output 4K HDR laser platform rated at 10,000 lumens with lens options for oversized screens and demanding private cinema rooms.
Native 4K three-chip DLP RGB-laser platform rated up to 32,000 lumens for private cinemas with engineered power, cooling, lens, and equipment requirements.
Screen material, image dimensions, aspect ratio, throw, lens shift, projector location, masking, sightlines, structure, ventilation, and access resolved before construction.
Projector alignment, image setup, HDR, video path, fiber HDMI, audio, network, automation, lighting scenes, documentation, troubleshooting, and ongoing support.
Where we work.
Regent5 designs, installs and supports laser projection from Sony, JVC, Epson and Barco across the San Francisco Bay Area and Northern California. Select engagements extend to Santa Barbara, the Los Angeles area, and Orange County. Projects include private cinemas and media rooms in custom homes and estates, from screen, room and seating planning through calibration and long-term service.
There is no single best projector for every theater. The right choice depends on screen width and material, throw distance, room darkness, desired brightness and HDR impact, native contrast, lens requirements, seating distance, noise and ventilation, equipment space, source formats, and budget. Regent5 compares Sony, JVC, Epson, and Barco from the actual room requirements.
Sony's current cinema range uses native 4K SXRD, JVC focuses on native 4K D-ILA with very strong native contrast, Epson's Q-Series uses 3LCD laser platforms with options extending to very high brightness, and Barco Residential serves specialized large private cinemas with high-output DLP laser platforms. The room determines which strengths matter most. JVC rates the NZ500 around 2,000 lumens, NZ700 around 2,300, NZ800 around 2,700, and NZ900 around 3,300. Epson's QB1000 is a home-cinema platform for conventional dedicated theaters, while QL3000 and QL7000 move into much higher light output and support interchangeable lens choices.
Required light output depends on screen area, screen gain, desired peak brightness, HDR goals, lens losses, throw, room light, calibration target, and aging margin. A lumen rating alone does not determine the result. Regent5 calculates expected screen brightness from the actual projector, lens, screen, and room rather than selecting by specification-sheet brightness alone.
Yes. Regent5 designs, installs and services high-end laser projectors and private cinemas for homes and estates across the San Francisco Bay Area, comparing Sony, JVC, Epson and Barco from the actual room requirements and coordinating the screen, lens geometry, signal path, immersive audio, automation and calibration around the selected projector.
Installed cost depends on the projector and lens, screen and masking, room construction, acoustics, ventilation, power, mounting, signal transport, video processing, sources, immersive audio, lighting and shades, automation, calibration, and service requirements. The projector is only one part of the cinema, so a room design and system scope are needed before an installed budget is meaningful.
Yes. Regent5 can evaluate the projector, screen, mounting, lens geometry, HDMI or fiber path, video processor, sources, AV processor, audio, networking, automation, ventilation, firmware, and calibration. Existing infrastructure is assessed before recommending projector replacement so usable parts of the theater can be retained when appropriate.
.svg)
